Cinema Paradiso 1988 Watch Free in HD

Antonella Attili

3 April 1963, Rome, Lazio, Italy

Enzo Cannavale

5 April 1928, Castellammare di Stabia, Campania, Italy

Isa Danieli

13 March 1937, Naples, Campania, Italy

Leo Gullotta

9 January 1946, Catania, Sicily, Italy

Marco Leonardi

14 November 1971, Melbourne, Victoria, Australia

Pupella Maggio

24 April 1910, Naples, Campania, Italy

Agnese Nano

5 November 1965, Rome, Lazio, Italy

Leopoldo Trieste

3 May 1917, Reggio Calabria, Calabria, Italy

Salvatore Cascio

8 November 1979, Palazzo Adriano, Sicily, Italy

Tano Cimarosa

1 January 1922, Messina, Italy

Nicola Di Pinto

12 June 1947, Naples, Campania, Italy

Roberta Lena

Nino Terzo

22 May 1923, Palermo, Sicily, Italy

Jacques Perrin

13 July 1941, Paris, France

Brigitte Fossey

15 June 1946, Tourcoing, Nord, France

Philippe Noiret

1 October 1930, Lille, Nord, France

Nellina Laganà

Turi Giuffrida

Mariella Lo Giudice

6 February 1952, Catania, Sicily, Italy

30 November 1956, Catania, Sicily, Italy

27 May 1956, Bagheria, Sicily, Italy

Giuseppe Tornatore

27 May 1956, Bagheria, Sicily, Italy

Giuseppe Tornatore

27 May 1956, Bagheria, Sicily, Italy

Maria Di Vita

Played by: Antonella Attili

Spaccafico

Played by: Enzo Cannavale

Salvatore 'Tot

Played by: Marco Leonardi

Elena Mendola

Played by: Agnese Nano

Alfredo

Played by: Philippe Noiret

Houston Chronicle

In the director's cut, the film is not only a love song to the movies but it also is more fully an example of the kind of lush, all-enveloping movie experience it rhapsodizes.

July 19, 2002

Guardian

Cinema Paradiso is much loved, though I have occasionally been the man in the Bateman cartoon: the reviewer who confessed to finding Cinema Paradiso a bit sugary and the kid really annoying.

December 12, 2013

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Q Network Film Desk

That balance of the ideal and the tragic weaves all throughout Cinema Paradiso, which is epic in terms of the time frame it covers, but feels consistently intimate

April 01, 2017

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Seattle Times

The heightened symmetry of this new/old Cinema Paradiso makes the film a fuller experience, like an old friend haunted by the exigencies of time.

July 19, 2002

Daily Mail (UK)

One of the most delightful and affecting of all movie endings.

December 12, 2013

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San Francisco Chronicle

This director's cut -- which adds 51 minutes -- takes a great film and turns it into a mundane soap opera.

June 28, 2002

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Daily Express (UK)

It looks lovely and is full of classic, memorable moments, including a tear-jerking finale.

December 13, 2013

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Detroit Free Press

The film's final hour, where nearly all the previous unseen material resides, is unconvincing soap opera that Tornatore was right to cut.

July 19, 2002

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Washington Post

Still rapturous after all these years, Cinema Paradiso stands as one of the great films about movie love.

July 11, 2002

Daily Telegraph (UK)

Tornatore may have hit a sticky wicket with his subsequent work, but he knew what he was doing here: warning us about the irrational lure of the filmed past, which is to say cinema itself, then ushering us grandly to our seats.

December 12, 2013

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Observer (UK)

Recent changes to cinema which have seen the projectionist's art sidelined in the digital age add a further layer of poignancy to the magical memories.

December 16, 2013

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Time Out

Returning to cinemas in spiffily remastered form ... the film retains its wide-eyed charm, pitched halfway between unrestrained romanticism and unknowing kitsch.

December 09, 2013

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